Translations:Benutzer:Arian/Klett-Mini-Test/241/en

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In the ancient Persian epoch the I awakened within the sentient body, the as-yet undifferentiated third member of the human being, the astral body.[1] At this stage of advancing consciousness the force of the old instinctive clairvoyance dimmed, and there grew in its place the capacity — under the guidance of the Mysteries and out of the living experience of cosmic-earthly relationships — to work upon earth, plants, and animals in a transforming way. The sacral-magical relationship of the Atlanteans to the active spiritual creative forces in earth and cosmos transformed itself into a sacral-artistic one. It was the high art of the ancient Persians, building upon the cultural achievements that had gone before, to work — out of an instinctive directness with the spirit, in the process of becoming settled — upon the soul-nature of certain animal species in such a way that this soul-nature opened itself toward the human being. But in doing so the entire physical-bodily organisation of the animals was transformed in its depths. In their turning toward the animal, human beings shaped out of their inner experience, in the outer world, a work of art: the domestic animal. From the very beginning, domestic animals appeared alongside their wild kindred in an extraordinary abundance of forms. The natural disposition of the animal organism was reshaped as a whole toward particular metabolic capacities, as a rule at the expense of nerve-sense activity. The becoming-domestic-animal consisted in the art of maintaining embryonic plasticity throughout the whole of life. Domestic animals do not flee from the human being — on the contrary, they seek his attention and are in need of it.

  1. Rudolf Steiner: Theosophie, GA 9, Kap. IV. «Leib, Seele und Geist» (Body, soul, and spirit), Dornach 2003, S. 57 f.